Uncommon Places: The Complete Works [ハードカバー]
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A teenaged photographic aspirant who hung around at Andy Warhols factory in its mid-60s heyday, Shore found success early: his first show at New Yorks Metropolitan Museum of Art was held when he was only 23. These 152 full-page, full-color shots comprise his serial project of the 70s, "Uncommon Places," which documented roadside America with a dispassionate, Andy-like emptiness. Its an aesthetic that has been endlessly co-opted by American filmmakers like Gus Van Sant and Jim Jarmusch, but some of these 12 7/8" 10 5/16" shots of prairies, parking lots, polyester-clad couples and plastic hotel furnishings manage to seem fresh nonetheless. Shores concluding interview with Lynn Tillman makes the Warhol connection explicit, and argues for a kind of meaning-making from the void: "Formalism often sounds like a kind of visual nicety, but if I use it, thats not how I mean it." Beautiful, lush reproductions with minimal captions allow the photos to speak for themselves.
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At the age of 24, Stephen Shore became the first living photographer to have a one-man show at the Metropolitan Museum of Art, New York. Among his numerous other one-man shows, Shore has exhibited at the Museum of Modern Art, New York, the Art Institute of Chicago, and the Kunsthalle Dsseldorf. He has received several awards for his photography including two National Endowment for the Arts Grants and a Guggenheim Foundation Grant. He has been the Chair of the photography department at Bard College in Annandale-on-Hudson, N.Y. since 1982.
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